Praying with eyes open

Why did Moses go up on the mountain in Exodus 17:8-16? Everyone who’s ever attended Sunday School will tell you he’s praying, but the passage doesn’t actually say it. The only thing we know is Moses’ hand positions, and the resulting impact on Joshua’s gains or losses. The account of what happened on the mountain was written later and second-hand, by someone who was a distant and distracted observer on that day.

As I mentioned in a previous post, Moses will soon establish a pattern of praying in a tent  (Ex 33:7-11), but he doesn’t head for his tent this time; instead, he climbs a mountain. Joshua can understand that instinct. After all, a military man like him would see elevation for its strategic advantage—for reconnaissance purposes, artillery placement (arrows or stones) or infantry positioning. The common thread is that any of those options requires communication of some sort, and Moses and Joshua make no signalling plans. Moses has a different strategic purpose in mind, and a different form of communication.

There’s only one reason to go up on a mountain to pray: clearly, Moses intends to have his eyes open. On the mountain, he is helpless and completely dependent to act save for a single priceless weapon: a direct connection to the Almighty. If he sees an ambush or an advantage, his only recourse is prayer.

In Moses’ day, the only way to have the full picture, to see the scope of the battle, was to gain elevation. In today’s world, there are so many other ways we can broaden our view. I believe this is one of the indispensable roles of a leader.

My studies of this passage have led me to refine my times of prayer as a leader. I start with two questions prompted by Moses as he stood on that mountain with eyes open, hands lifted up and no temptation to action.

A. What can I see that others don’t?
B. What should I see that is not visible?

I’ll cover the first one here.

Seeing what others don’t

There’s an old adage that a leader is the one climbing the tallest tree, surveying the situation and concluding, “We’re in the wrong forest.” Leaders have a mandate to see the bigger picture and assess the situation, but they also have the privilege of access to a more complete set of data than anyone else.

Strategic prayer is prayer with knowledge. It’s significant that the intercessor in Exodus 17 is the one who can observe the entire scope of the situation and direct his attention accordingly. No one else can see the big picture the way a leader can. Therefore, she should pray for the larger issues, the deeper underlying themes, rather than the obvious surface-level requests. Where she sees with spiritual eyes—because she takes the time to ask and look—she prays for what others can’t see. She can sometimes pray with confidential knowledge of world events.

Don’t shy away from connecting the pieces. Ask the Lord, “How should my prayers be directed?” And, “What can I pray about that others don’t or can’t?”

There are three advantages and responsibilities that come with the vantage point of leadership.

1. Gaps. From above, it’s easy to see the gaps and weaknesses that open up in battle lines. I can pray for reinforcements, and I can pray for healing for the sick, strength for the weak, encouragement for the fainthearted, justice for the oppressed and comfort for the afflicted (Ez 34:4,16, 1 Thess 5:14, Ps 10:17-18, 2 Cor 1:3-4).

2. Traps. I can also see ambushes and traps. I can pray for shielding, for cover, for light to overcome darkness and truth to expose lies. I can pray for other leaders, that they would not give Satan a foothold.

3. Opps. Weaknesses in the opponent’s strategies are laid bare, and I can see where my team is making breakthroughs. I can add my prayers behind initiatives pressing the advantage. I can pray for unity, love, confession, forgiveness, mutual submission and truth as proactive moves against Satan’s strategies of division, accusation and deception.

During my quarterly days of prayer, I have taken to posting sheets of paper on the wall and labeling them with these categories. As God shows me something in each of these areas, I write it down so I have a takeaway, and perhaps an action point.


Moses on the Mountain series:

Heed the artists

In The Age of the Unthinkable, Ramo tells the story of Gertrude Stein and Pablo Picasso walking down a street one evening in Paris when a military convoy rumbled by. What caught their attention was that it looked different: the first time either of them had seen camouflage. Picasso cried out, amazed. “Yes, it is we who made it, that is Cubism!” Sure, camouflage was the direct application of Cubism by a lesser artist than Picasso, who thought he could apply art to transform warfare. But at the same time, that moment summarized in a moment the completely different way of seeing the world that was Cubism. It took artists to start the transformation, and it took artists to note the cultural shift.

Today’s prophets are found among artists. They’re the ones who have the pulse of what’s next. For instance, they’re the ones who first debated postmodernism… in the 1970s. The rest of the world took notice thirty years later. And the Church began to debate it within the last ten years, as if they could make a difference entering the debate that late in the day.

I was first exposed to Postmodern thought at a conference in 1999. It was eye-opening for me. I still remember one of the organizers lamenting about the state of artistic expression in most churches as well as the exodus of young people — particularly the artistic class — from the Church. Her conclusion: “The Church kicked out all the artists and then decided it wanted art.” She’s right on so many points. Without artists, worship becomes formulaic and stagnant. Without artists, the Church is so late in attempts to contextualize the Gospel as to be irrelevant. Without artists, the Church is left out of public debate on culture shifts.

So, while the Church engages with yesterday’s cultural shift, the artists long ago moved on to other shifts. What were they discussing at the turn of the century? What are they discussing today? The reason artists can express or portray an idea in fresh ways is that they see in fresh ways. The key to thinking differently is seeing differently.

Remember the old Apple ad series? The only one I clipped was the one featuring Ansel Adams. I wish I had the one featuring Paul Rand. Recall the narration: “Here’s to the crazy ones. The misfits. The rebels. The troublemakers.”

Leaders would do well to maintain relationships with the arts community. Artists can make you uncomfortable. They are not always appreciated in their hometown. They love to note hypocrisy. But don’t try to forecast without your best “seers.” When it comes to anticipating the future, keep your artists close by.


In The Age of the Unthinkable, Joshua Cooper Ramo recommends changing the way we look at things. He suggests that our global financial crisis resulted from our tendency in the West to try to take things apart to figure them out or look at individual parts of a problem. For instance, a viewpoint that isolates mortgages from insurance fails to see the interconnections that brought the whole system down. Instead, he recommends taking in everything at once instead of fixating on pieces. He likens complex systems to a sandpile, where every grain is dependent on the others. It has an inherent instability and very little predictability. The way to anticipate change in a complex situation is to look around the edges, in unexpected places.

Ramo tells of a study where 100 graduate students were tested to track their eye movements. Half were American-born, and half were Chinese-born. The Americans fixed their eyes on the main object in the foreground, to the extreme that they sometimes didn’t recognize that the background image changed. Ramo goes as far as saying, “When it came to the environment, Americans were almost completely “change blind.” In other words, they stared.

The Chinese students kept their eyes moving, searching the background for additional context. They didn’t stop with a tiger in the woods. Instead, they looked for threats, clues to location, tensions, etc. that might influence the tiger. In fact, some spent so much time on context that when a new picture came up with the same background and a different foreground object, they thought they had seen the image before. His conclusion was that Americans typically stare at a small handful of data points while high-context cultures believe that the environment contains clues to what will happen next.

More than anything, what you want to know is when change is going to begin. In Chinese philosophy this sense is known as a mastery of incipience, and the skill is often praised as the highest form of wisdom.

Ramo’s point is that today’s world requires a different way of looking. Those who will be successful in the present and future are not those who narrow their gaze, looking for specific data points. He’s seen it in foreign affairs, venture capital and intelligence: those who can take in a broad range of data and infer conclusions are more successful. Ramo’s conclusion:

The chance for real brilliance or flair is usually best seen out of the corner of the eye.

So, how’s your eyesight as a leader? If you have a distinctly western view of the world, this is a great argument for diversity. Surround yourself with people who see the world differently than you do, and you might do well to bring in people who from birth have been trained to look at the edges of the paintings — to look at the whole to gauge what’s just around the corner.